MASSIVE PASSIVE, REFERENCE CARDIOIDREFERENCE SILVERREFERENCE GOLD, MASTERING STEREO VARIABLE MU® Its adjustable threshold, attack, and release settings are ideal for tracking, mixing, and mastering; while its highpass sidechain gives you added flexibility. MONITORING. This modification comes stock on all Manley Variable Mu Limiter Compressors since 12/2009, on both regular and mastering versions. MANLEY MICMAID MANLEY TANNOY ML10 HP-112 HEADPHONE MIXER MANLEY POWER AMPLIFIERS. © 2020 Manley Laboratories, Inc., All Rights Reserved. I always mix with the compressor in the signal chain so that I’m hearing and balancing what will become the final mix. I bought one in 1997, grokked it instantly, and never looked back. Manley Laboratories' Pro Audio gear for the studio, from the Variable Mu® to the VOXBOX®, ... MASTERING STEREO VARIABLE MU. MASTERING SLAM! for choosing the Manley Laboratories Stereo Variable Mu® Limiter Compressor. I was just wondering , those of you who have the 670 and the Manley variable mu compressor, do any of you use the 670 for mastering? Classic tube compressors such as the Fairchild 670 and Manley Variable Mu offer a unique, 'expensive' sound! Re: Manley vari mu - non mastering version? The high-pass side-chain filter allows frequencies below 100Hz to pass through the compressor unprocessed, so that the bass isn’t driving the compression on the whole mix; this translates to punchier mixes. This distinctive system of compression puts this unit in a class of its own sonically, which is perhaps why it’s found in countless mixing and mastering studios around the world. Manley offers a number of modifications and versions of the Vari-Mu, and the unit I own is the Mastering Version. The 670 is also a vari- mu type compressor. Manley’s Nu Mu® compressor excels at mastering, with attack times between 64 and 640 ms, release times between 220 ms and 3.9 seconds, and a ratio that self-adjusts between 1.2:1 and 3:1. MANLEY MicMAID. This is one of the main reasons that it’s advantageous to utilize a stereo buss compressor in your signal chain while mixing, rather than holding off for the mastering stage. as an antidote for digital audio peaky harshness. What are your findings on the two? 91710 USA TEL: (909) 627-4256 FAX: (909) 628-2482 email: emanley@manleylabs.com website: www.manley.com OWNERʼS MANUAL THE MANLEY LIMITER / COMPRESSOR STEREO VARIABLE MU ® I strongly believe in the value of investing in one’s personal studio, as you only get out what you put into it, and in time, those investments will pay off. © 2020 Manley Laboratories, Inc., All Rights Reserved. « Reply #12 on: July 27, 2006, 09:22:18 pm » I use one as well with no issues, though I do have to run a tone through it to set levels, which I do at the beginning and at the end of mastering each tune. Feel free to leave them below. MASTERING MASSIVE PASSIVE MASTERING MASSIVE PASSIVE. Likened to “pouring a bowl of sweet cream over a mix,” if you’re looking for the ultimate in mastering weaponry for your pro sound armory, you’ll find it in the Manley Variable Mu Mastering … MID FREQUENCY EQ The Manley Variable Mu Mastering Version’s detented switches let you easily dial up or log favorite settings. "Mu" is tube-speak for gain, and Variable It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. This mod adds two switches to the front panel, one for each channel, so that when engaged, the side chain will not respond to frequencies lower than 100Hz. Have any questions or comments? Manley’s Variable Mu is an all-tube stereo limiter/compressor that utilizes the re-biasing of vacuum tubes to achieve compression in the same manner as the renowned Fairchild 670. STEREO PULTEC EQ page 1 manley laboratories, inc. manley stereo variable mu® limiter compressor the manley owner’s manual stereo variable mu ® limiter / compressor rule ownerʼs manual tubes brought to you by the clever folks at: manley laboratories, inc. 13880 magnolia ave. I almost always have the high-pass side-chain filter engaged and run the unit in SEP mode (as opposed to LINK), which seems to give a more balanced stereo image. Three words: tubes, punch, and glue. I have read great things about it a high-pass side-chain filter, both features that I couldn t... Both regular and mastering versions numbers given are for 90 % attack and release times per Manley.com Re! For many years in the signal chain so that I couldn ’ t live.! Bought one in 1997, grokked it instantly, and never looked back are 90. The signal chain so that I couldn ’ t live without I bought one in 1997, grokked it,! 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manley vari mu mastering settings

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